New for Talisman Studios! Artisan Jewelry in Sterling Silver

Sterling Silver Pendant with Hand Stamped Detail, and Deschutes Jasper Cabochon

Though I’ve been practicing the art of silversmithing only since January, I can’t believe it’s taken me this long to make a progress report on my blog – nearly a year after starting!

In fact, the very last post I made was just after I’d finished my first piece, shown below. This was the “class project” inn the only workshop I’ve yet taken, but it actually turned out very well, considering I really had little idea as to what I was doing. The stone is an Owyhee Jasper cabochon which I personally cut and polished.

As you may remember, I’ve spent the last few winters in Quartzsite, Arizona, working my lapidary skills in the local Quartzsite Roadrunners Gem & Mineral Club. That was where I took the step to take an introductory class in silversmithing, where I learned to foundational basics.

Then I headed to Tucson for the gem shows, and when it was time to return to Quartzsite and further practice silversmithing in their well-equipped metalsmithing shop, I found myself flummoxed…. I wanted to delve into metalsmithing, but the thought of going back to the town of Quartzsite for two month filled me with dread. If only the town had a decent bagel shop, I’d have been able to do it…… Oh, and public wifi and places to charge electronics, among a few other things. The two things, for me, that Quartzsite has going for it is the easy camping on BM land, and the gem club. Everything else….. it’s fine for a few weeks, but month after month is depressing. Especially after having done the winter seasons there for the five years I’d already done.

Instead, I stayed in Tucson, hoping to find some metalsmithing classes there. Unfortunately, I have a beer budget…cheap swill beer. I did locate the Old Pueblo Lapidary Club, which was within my ability to do, but unfortunately there were no classes to be offered while I was there.

I tried not to be hard on myself for not returning to Quartzsite, and have to admit I had a fear that I was subconsciously sabotaging myself. I believed that I truly wanted to develop my skills as a metalsmith, yet there I was – passing up the opportunity I knew was available.

“Self-teaching it is,” I told myself, and off I went to Kent’s Tools to purchase the basic tools….

Let me just interrupt this story to say this: If you are considering metalsmithing, and someone tells you that you “really only need,”…. do.not.believe.them. You will quickly realize you may not need anything beyond a few things like solder, a small torch, pliers and metal stock, but you will need them if you want to employ any creativity in your pieces.

But, back to my journey(which included several return trips to Kents, and an investment of easily a thousand dollars in materials and supplies over the last eight months.

Sterling Silver Pendant with a Succor Creek Jasper Stone

Working with a cold pickle pot, and what I came to find out was a defective torch, on my folding desk table out in open air was….a challenge. A frustrating effort that nearly did me in as I ruined silver every time I tried to make something. At $23 an ounce(price on day of this post), it hurt to waste like this, and though I know it can be remelted and recylced, that’s not the point.

Once I got back to my home base here in New York, I quickly set up my studio space to include a section for smithing, and got to work. It has been so much fun, at least since I crossed the line from frustration into understanding on the basic fabrication concepts.

Nonetheless, there is a LOT to learn, and I’m old enough that I will never become a master metalsmith, at least in this life.

Accepting that fact, I’m developing well enough that I am(or should be) happy with my progress. In less than a month, I’ll be doing my winter travels, and the plan is to base myself out of Tucson, so I can utilize the metal shop this winter. If I get lucky and they offer the silversmithing class while I’m there, I hope I can afford to take it, as I would love to have a better mentor than myself…..

Dead Ringer Jasper Sterling Silver Pendant

My style is simple, as I want my stones to be the focal point. That doesn’t mean the work is easy. Silversmithing is a precision craft, and jewelry is very small. The use of magnification is essential, especially with my aging eyesight. Cutting and filing also requires diligence, as one pull of the saw, or one misplaced file sweep, can mean I have an error that I’ll need to make up for somehow. Better to pay attention and not cause the problem in the first place!

I’m still struggling with being able to stay focused and intentional as I go, and I don’t yet have the optical magnification tools that would be optimal. I use reader glasses, and I have one desk lamp that has a magnifier lens I can look through, but I really need a higher magnification level. I’m wishing for Craftoptics glasses, but may need to make do with the less costly Optivisor, but up til now I’ve just made do. This goes back to not believing anyone who tells you that you can do silversmithing with just a few items……

One of the techniques I’m currently struggling with is stamping. I do like the idea of incorporating the motifs and patterns into my work, and have purchased a few stamps so far from House of Stamps and K2Stamps. These are artisan made stamps, crafted by hand and not factory-produced. They are not inexpensive…. and once you own a few stamps, you realize you’ve now opened Pandora’s Box and want more, more, more!

Sterling Silver Pendant Featuring Owyhee Jasper Stone

Stamping is not as simple as one might think. I’m sure it will become easier with practice, but getting the stamped properly positioned before striking it with a two pound brass mallet is a delicate maneuver. To properly produce the effect, repeated blows to the stamp are needed, and the stamp angle often needs reorienting(while maintaining the exact position of the stamp head where it meets the metal) to create the full impression. When creating a pattern of stamps, which is nearly always the case, things become more complex.

I’ve gotten a fairly good amount of pendants finished by now, and would appreciate you’re taking the time to browse the current selection, at Talisman Studios. Each of the images in this post also takes you directly to the listing when you click on the picture.

Deschutes Jasper Cabochon in an Artisan Crafted Sterling Silver Setting

Guess Who Has Started Metalsmithing?

Me, That’s Who!

My First Finished Pendant!

For a long time now, ever since I began selling my woven wire pendants actually, people have asked for “smaller,” “simpler” and/or “silver” designs. I’ve been so often told “I really love your work, but do you have something that is…(insert one of those words?”).

As an artists working with a specific set of materials, it’s been painful. At the start, wire weaving was new to me and I was truly enjoying the creative experience. I understood why someone wanted “not copper,” and I made woven sterling wire pieces hoping to accommodate them, but it hurt when I knew what they meant was “not wire weaving.”

Eventually I, too, began to understand why wire weaving wasn’t as attractive as a pendant set in a simple metalsmithed setting. What drove it home for me was when I read, somewhere on an internet discussion forum, that “wire weaving is for those who don’t know how to work as a metalsmith.”

Ouch!

At heart, I knew this was true to a large extent. Metalsmithing requires more tools, a stable space to work, and instruction at a more committed level than wire weaving, even if one goes the route of being self-taught. It is a larger investment that many who are just starting out are leary of taking on. You need a torch, for crying out loud! That’s like having a pet dragon! And if you go on You Tube and look up “Silversmithing,” you’re almost assured to see someone with a fairly extensive studio bench which includes a professional level torch.

You might hear someone say “you can get buy with a hand held torch from (they’ll probably say Harbor Freight), but when I read that, that little voice in MY head responded with “Yeah right. Go Big, or Go Home!”

It was disheartening, because I believed that voice for quite a while.

As well, my studio space back home in New York is fairly new, and each spring when I return, I’m not sure if I’ll have it for the rest of the season. I’m looking at that possibility again in another two months, in fact.

To me, it seemed implausible to work with metalsmithing tools in the way I have been doing my cabochon crafting. That is, part time in a true studio, and part time on the road where I stow everything away in my van and haul it out to work in a municipal park or on public lands.

For sure, it HAS been a pain to work on my lapidary like this. Sometimes I dream about finding a “real home” to live in again, just to be able to work until any hour of the night, get in a few hours and leave my project knowing I’ll come back in a few hours. Not having to pack things ALL away after a session!

But, I’ve done it. And I’m going to do it with metalsmithing. And I’ve started buying my tools! Including this beauty….

The pendant in the image at the top of this post is my first finished work. It includes one of my own cabochons, and I’m please with the results. I know that down the road I will look at it and find myself smiling at my inability to see just how crudely crafted it is. At least, I had BETTER be able to see a pretty good jump in my skill level and design sense!

The first cabochon I cut, in a class setting, vs one I cut with a few years experience in the craft

I had been wanting to learn metalsmithing for a few years, and had planned to spend a season at the rock club I belong to in Quartzsite doing just that. It was in the winter of 2020 when I told myself “Next year, you come back and learn to silversmith.”

We all know what happened in the months following the winter of 2020. Covid happened. And there was no way I was going to sit in a crowded room full of cowboy types who understood the concept of a masked man during the wild west but not the pandemic.In fact, the club specifically stated that, though shop forepersons could require masks be worn during their shifts, the club would not require it in general, nor would the be mandating any safety measures regarding distancing or sanitizing surfaces. “You’re on your own” was the exact wording, as I recall.

The next year(2021/22), the virus was raging in it’s 3rd or 4th round, and people were passing it around like a joint at Woodstock. Now, in 2023, it’s STILL with us. My brother in law has it(again) as I type this post(and, he’s been through the series of vaccinations).

But, I decided that we’d gotten to the point that, if I got iCovid, I’d likely not die. That was my bigger concern; that I’d die out on the road and my dog would end up either left alone in the van as I succumbed, or be put in a shelter when I entered a hospital.

Okay – I took a seriously negative digression there…. Back to metalsmithing!

I finally got a session in at the club and got my pendant to the point I was ready to place the stone, burnish the bezel, and polish the finished work. I did that the next week and was SO happy. I knew I was on my way.

Then, I came down to Tucson to see the big gems shows. I figured I’d go back to Quartzsite afterward and really throw myself into learning the craft. But, there was a small issue…..

I found myself, a few days ago, waking up to a feeling of drudgery about going back to Quartzsite for the rest of the season. If you’ve spent more than an afternoon in Quartzsite, you can empathize. The town is not fast-paced and well-stock with modern conveniences, to put it nicely. The internet signal is slow to non-existent. The library is the only place you can sit inside and work on online marketing. Publicly available electricity is rarer than water in the desert. The restaurants…what can I say but “Bless their hearts.(if you catch my drift).

Quartzsite, AZ: A town that had it’s Hey Day a few decades ago

And yet, I soldiered through several seasons at Quartzsite enduring these things and telling myself it was the price I paid to get my work done.

Well, this time, when I had that despondent feeling, a little voice in my head said “I bet there is somewhere in Tucson you can learn smithing at a relatively low cost.”

It takes me a while to come up with solutions at times

I asked on a Facebook Group that I’d just joined, and got some suggestions. Great ones, for someone actually living in the area, and with a few hundred dollars to drop for a series of classes or workshops. I figured there was a lapidary club, and so I googled. There was a lapidary club in Tucson! And, they have a metalsmithing shop!

I hightailed it down there and joined the next day. Saturday I’ll go for their monthly meeting, to get a feel for things, and work in the lapidary shop afterwards.(the lapidary shop is very well appointed, with Genies, a Titan, several Poly Arbors, saw to cut slabs for member use, and even a vacuum stabilization chamber, for use in stabilizing stones like turquoise, that are difficult to work with when not bolstered by the stabilization process.

My hope is that Tuesday will be my first instructional class in metalcraft. Hopefully, I’ll be getting four weekly sessions with instruction, and studio time in between, before I begin traveling back towards the northeast for the warmer months. If that happens, I feel I’ll be confident enough to proceed on my own. If not…I’ll proceed on my own with less confidence.

Look for sterling silver pendants to come in the Talisman Too Galleries in a few months(maybe sooner). And, if you don’t yet follow me on Instagram, you’ll want to if you have interest in my journey. You can find my Instagram profile at https://www.instagram.com/talismantoo/!

Meanwhile – which of the cabochons in my shop do YOU think would look good as a pendant?

American Lapidary: Selling Venue for High Quality American-Crafted Designer Cabochons

Owyhee Jasper Designer Cabochon

I’ve been cutting my own cabochons for a few years now, and people say I’ve got an eye for composition. I tend to agree; that’s always been a strong point for me.

Presently I’ve got at least two hundred stones available, but finding an audience of buyers has been problematic. At times, my cabochons get picked up almost immediately on being listed, but other times nobody seems to even see them. Disheartening!

One of my used to be *go to* selling venues on Facebook is now crickets for my offerings, while importers of factory-produced stones continue to sell. Sure, I can’t compete with cookie cutter cabs at $5 to $10, and I don’t expect to, but the site has become so deluged with that level of offerings that I feel seekers of quality stones have left the site. I know jewelry makers are still making beautiful things, so despite the inflation besieged economy, they still need to buy beautiful cabs!

Banner Image for Facebook Group American Lapidary
https://www.facebook.com/groups/americanlapidary

And so, I’ve started my own Facebook selling venue, American Lapidary. Here you’ll find well-crafted designer gemstones created by lapidary artists residing within the United States. I require selling members to provide links to their various social pages in order to vet them for inclusion. Jewelry artists looking for stones cut by established lapidary won’t have to sort through dozens of factory cut cheap stones to find materials for their projects.

Designer Cabochon - Dead Camel Jasper

While currently a showcase for my own material, American Lapidary is open to selling members from within the United States. There are a few already signed on to the group, but our buying population is still low. Hopefully once word gets out and the group starts to become more active, sellers will find it worthwhile to include their stones too.

So – please come take a look at the group and sign up as a member if you feel it will be of interest to you – the link is at facebook.com/groups/americanlapidary!

Dinosaur Bone Designer Cabochon
https://www.facebook.com/groups/americanlapidary

My shop on Etsy still carries my cabochons too, of course. Simply click on the Cabochons Section to see what I’m offering! And, to see my work in progress images(and get first dibs on stones hot off the cabbing wheels!) follow me on Instagram @TalismanToo.

Etsy Star Seller Status: Pride or Prejudice?

Finally!

You would THINK it is not difficult to maintain the Etsy Star Seller status, but it’s actually incredibly tough, and ironically, the metrics actually reward only big sellers who have on-staff employees and automated shipping systems.

In March, I had ONE buyer give me a 2 Star Feedback, with there being nothing wrong on my end.

I needed to get FOUR 5 star Feedback reviews to offset the damage incurred by a buyer unhappy because they didn’t read the listing. Luckily, a review came in yesterday(April 30th, last day of the month). Just under the wire, or I’d not have been honored with the Star Seller Status for yet another month.

Strangely, I DID receive those four 5 star Reviews before month’s end, and even a fifth one, but the algorithm calculates over a three month period…. I’m not very adept in math, and I am unable to grasp the formula, much less run the numbers. But one thing I get very clearly is that the smaller number of sales you make, the more a single ding to the metrics used in the Star Seller formula damages you.

I know many Etsy sellers have realized that the Star Seller program is poorly thought through, but when one takes pride in their business and work VERY hard to provide excellent service, efficient shipping and a quality product, it is difficult to be told you “weren’t good enough.”

I had a shipping error too, which adversely affected my status. It was due to my manually inserting the wrong number in a Tracking label.This has happened to me before (the second month after the Star Seller program was rolled out), and unless you catch the error very quickly and correct it, there’s nothing that can be done. You’re reputation is damaged and the bots look down their noses at you for the rest of the month.

Sure, I know….bots don’t have noses. But Etsy Support staffers do, and when you contact them, with photos of the post office receipt that shows the single digit discrepancy,and screenshots showing the package was actually shipped and received properly, they can’t help you. They’re not allowed to adjust the data. That must be a fun position to be in.

So, when the number error happened to me the first time, I learned my lesson, and began double, triple checking the Tracking Numbers as I entered them. All was fine for a while, but eventually I didn’t catch one, and noticed the parcel was listed as being “pre-transit.” Luckliy, there is a built in grace period, connected to your listed “shipping time frame,” and you have those days to adjust it. Once that time frame has passed, you’re out of luck.

I began meticulously checking my departed orders to make sure they didn’t show as pre-transit, and…it was fine. Until I neglected to notice that it had happened again. Ding! No star Seller for you!

When you contact Etsy support and ask if they can fix the issue that the system won’t allow the seller to, the suggested way forward is to use the Etsy Postage system, which is automated to be attached to the customer’s order.

Granted, using Etsy Postage saves you a bit of money on, so seems like a good idea. But the cost of the machine and labels are an additional expense that has to be offset. For a small seller like myself(sometimes going without a single Etsy sale in a month), that’s a big expense.And,in my situation, I don’t have electricity at my house,and my business supplies are stored in my van. The machine wouldn’t have a dedicated spot, but would need to be stowed, in protective packaging, between uses. Plus I’d need to find an electrical outlet to plug into to print my label…. Every time. Maybe that seems like no big deal, but I assume anyone thinking that is not remembering how things get more difficult for them when the electricity goes down during a storm….

The good news is, that my cabochons sales have begun to really take off – on a platform that is not Etsy,where the poor babies sit twiddling their little stone thumbs and wondering why nobody sees them. So, I’m looking at the cost/benefit formula on a postage label printer again and will likely make the investment this summer. Then I can use the Etsy postage system and save on postage fees.

Owyhee Jasper Cabochon

This summer I’ll also be doing a local market where I offer my earrings and pendants. I have the feeling that I will see good sales there too.  If you’re local or visiting the Mid_Hudson Valley this summer, stop by the New Paltz Open Air Market! I won’t be there every Saturday, but if you follow my Instagram, I’ll be posting reminders.

With the upshoot in my recognition as a reputable supplier of high quality, artistically crafted cabochons, and the improvement in sales through the open air market, I have the feeling it will become difficult to rationalize the Etsy listing fees for items that never get seen, and the 10% plus cut from every sale. I’m sticking with Etsy for now, and I will probably maintain my shop for tutorials, but sadly, I think I may be outgrowing what the Etsy platform offers my business.

That’s very sad to me. I had alway expected to have to work hard to be successful with my small business, and I’ve always looked at Etsy as an integral and supporting part of the equation. I’ve put in that work, but to be honest, I’m beginning to see that Etsy has not done it’s part, and perhaps never really did.

For the last two years, I insisted that even simply for use as a Shopping cart, Etsy was a great value. I was used to the listing system, felt the storefronts were attractive and easily navigated for both visitors and sellers, and believed the Etsy platform was very stable from a cybersecure perspective.

The platform stability I’ll still stand behind. I don’t believe Etsy has ever suffered a serious cyber attack they couldn’t defend before it became visible to anyone but the internal IT department. I still think the storefronts are the best looking of any selling venue out there. Fees? I’d be more than happy to pay them – IF I was selling things! But I’m kind of feeling like that’s the rub. I’m not selling things, and I wonder how much of Etsys strategy is dependent on earning listing fees, postage sales, and advertising revenue. Do they simply see fees associated with sales as icing on the cake, or are they REALLY doing what needs be done to help sellers make sales?

And I’ve come to think that maybe sales from people such as myself aren’t actually something Etsy, the company, values. They seem to want to promote sellers who can crank out multiple sales, if they promote an item. They’ve been on the “personalization” kick for well over a year, which is great for a seller who has a design template and simply has to type in different names on a Cricut vinyl template design. Not so great for a jewelry artist that does one of a kind work….

I kind of get that too. Online navigation analysis shows that people will only click through one, two and maybe three pages before they get sidetracked,lose interest, or notice their work supervisor is about to see them playing instead of working and shut things down. It may well be that Etsy doesn’t want to risk bringing people to their site and hoping they’ll continue to shop if that remarkable, one and only, item that led them there got snatched up before they could click “Buy Now!”

Perhaps Etsy should look at that. Perhaps they already did, and are not interested in enticing visitors to look around the site to make their own discoveries. “See it? Want it? Get it!” seems to be the strategy, and not “Come browse within our vast markets and discover something wonderful that you never knew you needed until now ….”

Well, I’m going to stop typing for now. I will probably come in and check my spelling, grammar and punctuation at some point, but I’ve got orders to ship(for $400 worth of stones, and not a single one bought through Etsy), and more stones to cut. However, I’ll leave you with this revised look at my Star Seller status. I had one whole day to feel good about my Star Seller achievement before Etsy updated my seller dashboard and reminded me that I’ll be losing my crown come June unless I “get with the program.”

Does Instagram Cause Harm to Our Creative Self Esteem?

Opinion: Instagram and How It Damages Our Creative Self Esteem

More than twenty years ago, I made a conscious choice to be true to my creative self.

I’d always known I was artistic, from my earliest memories. One year, before I was ten years old, my godmother gave me a gift of sketchpads. I don’t recall if it was because I’d drawn on her walls during a visit(I fear that may be!), but I do remember feeling recognized; being validated.

In high school, I took at least two art classes every semester. I also enjoyed creative writing, and between Art and English, my elective courses were used up.

So it was natural that I gravitated toward a career in a creative field. I move to New York City and began working as an assistant to a handbag designer. Soon enough I was the designer and eventually one with assistants of my own.

I balked at the restraints imposed upon me by sales teams and company presidents, and was usually fired for it at some point. I worked at nearly a dozen different design showrooms over the years I was a handbag designer, and all the while, my creative talents made them buckets of money. But when your gift and talent as a creative agent is not acknowledged, it’s easy enough to think I was just lucky as a designer, and my impudence wasn’t worth enduring.

After several years spent in this cycle, I happened to learn about the book “The Artist’s Way,” by Julia Cameron. The book is part of a guided creative recovery process and it changed my life.

I had no idea that I was being stifled in my creativity, but ALL my creative efforts went into the process of designing bags for my employers. The Artists Way helped me to touch base with my inner artist, Little Terrie. And it didn’t take very long for Little Terrie to go on strike.

So, I know what it feels like to have my creative process thwarted for the financial benefit of others.

And that is why I’m finding Instagram and its algorithms despicable these days.

When did Instagram go from being a place where  creative people shared their ideas to a place where we pushed the Instagram agenda in order to be allowed to exist?

Earlier this year, Facebook whistleblower Frances Haugen spoke to British Parliament about Facebook’s internal research that showed how Instagram was harmful for young people.

In here statement, she said “Today, Facebook shapes our perception of the world by choosing the information we see. Even those who don’t use Facebook are impacted by the majority who do. A company with such frightening influence over so many people — over their deepest thoughts, feelings and behaviors — needs real oversight.”

There was a fairly visceral reaction amongst the general public; anger, frustration and outrage. Because – we knew, in our hearts, that the things she was saying were true. We knew that Facebook, and especially it’s offspring Instagram, were feeding us a series of beautiful images and videos that were difficult for most of us to match.

Haugen’s focus was on the effects the Instagram algorithm is having on young people, and concerned because the company had directed it’s employees to “make serving young adults their north star.

As a not so young person myself(59 years old at the writing of this blog post), I listened to the news stories that came out with Haugen’s testimony, and agreed, thinking about how frequently I hear some young passerby on the street referencing an Instagram meme in their conversation. Not as in “did you see the ‘gram reel where…” but using the meme in context to their relationship. “Can we skip to the good part,” sung to the tune. If you’ve spent much time on Instagram, you know the one.

But in the past few months, I’ve felt some of the negative emotions personally, with regards to my own use on Instagram. I’m not talking about my dismay at trying on one of the beauty filters and seeing that my image wasn’t instantly transformed into one rivaling a Cover Girl(though, that did actually happen).

I mean that as a creative person using the platform to bring exposure to my own small business, Talisman Too, I was finding myself not only frustrated in my losing battle to grow my Followers base and engagement levels, but actually feeling I was inherently flawed.

Some of the internal messages I heard, relating to my personal Instagram experience were these:

  • I’m not really an artist
  • Nobody likes my work
  • There’s something wrong with how I present myself that turns people off
  • My poor family & friends, forced to support my efforts
  • What is wrong with my posts, that nobody even sees them. What is wrong with ME

That is but a small representation of thoughts that assaulted my feelings. The thoughts crept into my mind every time I checked to see the stats on my website, Etsy shop, or social media posts. I knew that I was not performing well(at all) with the Instagram algorithm, but the thing was – I KNEW that I have a fairly good understanding of how SEO(Search Engine Optimization) works. So what was going wrong?

I’ll be honest with you – Even though people genuinely like my actual jewelry pieces, and are often impressed when they first see it, I sometimes have trouble really believing it. This internal feeling extends much further than my creative work, and to me as a human being.That people like me as a human, and want to be around me, seems foreign to me. This is something that has festered within myself since a very young age. It is part and parcel with the childhood trauma I endured. But that’s not what I’m hear to talk about. MOST of us have had trauma as children, and I have worked hard to overcome these false narratives.

For the most part, I was able to do so. But about a year ago, I found the bad feelings about myself coming back. I was seeing a reduction in my overall sales from my Etsy shop, and though I understood it was very likely connected to the Covid-19 crisis, I wasn’t absolutely sure that was true. After all, plenty of people were showing social media images with their piles of packages ready to get dropped into the mail. And thanking their plethora of new (always new!) Followers. “Why aren’t I having dozens of orders to fulfill at a time?” said my internal bully. “Why don’t I have dozens of new Followers daily?”

And to punch back to those thoughts, I’m going to say this: “Because I don’t wait to take my orders to the post once or twice a week. Because I actually vet my new Followers and Block the spammers, porn sellers and bots.”

Ahhh…That felt ….good.

Still, it was at about twelve months ago that I realized Instagram was making a concerted effort to push users toward creating Reels and Live Feed content, and that I had better get with the program if I wanted to be seen. My images were receiving less and less views, and little to no engagement(Likes, Comments, Shares and Saves).

And so, I made my first Reel. Here’s the link, if you’d like to see it(Sound Up to hear the audio!). It’s a silly, poorly made, clip of my cute little doggo, Lucas. And it got 184 Views, plus 10 Likes! Only one of the Likes was from someone not Following me, but it was a start! And my second reel got more that two thousand views, and forty Likes, many of whom were not in my personal network!

“Hey, this is kind of easy enough.” I heard myself think. And as I began to learn about making Reels, I also learned that if I didn’t make them, my whole profile would lose relevancy in the scheme of the Instagram ranking formula.

Long story short, I started to feel I NEEDED to make reels. And though I was really not very good at it, I’d still better. And that since I wasn’t really very good at it, I’d better improve. Or else.

Or else….what?

Well, if you are a small business relying on social media(and what business of any size isn’t?”), you know what else…. BANISHMENT! Your content will slip down in ranking, being shown to less and less people, including those who DO follow your feed. Until you are all alone, talking to yourself, for all intents and purposes.

And so, I looked harder to learn how to compete in the alternate reality of Instagram. And what did I learn? That my Reels, and Posts, and Live Feeds, and Stories were to be seen as entertainment, if they were to be seen. It was NOT enough to post rather primitive footage of oneself at the task of creating something; it must have the appearance of having been professionally produced!

So now, small businesses had to become producers of high level content to use the platform to any level of success. Because we were not being seen as valued customers to Instagram, but as minions to their machine.

Have you perused the Reels in your Instagram Feed lately? (I bet you have, if you ever started to watch them, because they’re kind of addictive like that. Very superfluous, and full of “pretty” people masked behind insanely powerful beauty filters.).

Now, if you want to have your Reel served to a broad audience, you’ve apparently got to learn how to lip sync to trendy audio clips(chosen by Instagram and it’s algorithm). Many of the ones that fall into the “trending” category(meaning, these are audio clips more likely to get your reel into the lineup being served to the masses) are actually pretty toxic.

Some are African voices in “ghetto speak” (for lack of a less awful term), but the people syncing to these voices are white people who should be ashamed to consider themselves “Woke” when they are using these voiceovers in the same way Blackface vaudeville was intended. For entertainment….

While certainly there are less offensive audio clips, the fact remains that there is an absolute push for creators to use these prerecorded soundbites. Just a few days ago, I started to see a new campaign in my feed, from Instagram, in which certain audio clips are “suggested.” I’m not sure if people aren’t paying to have their soundtracks included, but it doesn’t say these are promoted posts, so I think not. It’s what Instagram wants you to do.

How is a person supposed to compete against this?

It would be one thing if a person was purely using this concept to play, but even then – that becomes a competition. I’m fine with that. Life is full of people besting other people as a basic component of their existence.

But for a creative small business owner, who has to wear every single hat in the work closet – where do we find the time to do all this?

I can tell you the answer, and it is often at the expense of our actually creating what we love. Because, what does it matter if you made an awesome new thing, if you’ve been using social media to showcase these awesome new things, and that social media site deems them unworthy of being shown?

I’m going to stop now, publish, and take a break, but I expect I’ll be updating this post. As it is, it’s two sessions of stream of consciousness writing. Though that IS pretty much my style, I know better. I should at least go in and proofread, right?

So, lastly – here’s a link to my most recent Instagram Reel. I’m still not “up to snuff” apparently, since it has only 21 Views, four Likes and one Comment(which is my own, as is one of the Likes). You’ll notice that although I have put the video to a sound clip, at least its an actual piece of music. Someone’s creative effort.

What is a Lapidary?

Sometimes I wish the term for a person who takes a piece of stone and turns it into a gemstone was called something more romantic, or intriguing, than a Lapidary. Maybe something like Gem Wizard…(kidding).

Lapidary doesn’t evoke an image in my mind. Does it for you? It even sounds, I don’t know – almost medicinal. But, it’s what we have to work with.

As an adjective, it pertains to stone and gems and the work involved in engraving, cutting, or polishing them. When used as a noun, it refers to a person who cuts, polishes, or engraves gems.

Also, a Lapidary practices the art of…lapidary. Doesn’t THAT sound special? A person who practices the art of medicine isn’t referred to as a medicine!

Scientists are further defined by their area of study, such as Rocket Scientist and Biologist. Or, Geologist!

There ARE several practices a Lapidary can specialize in. Diamond Cutters, as an example, do faceting work. Makers of stone knifeblades do flintknapping. Tumblers…tumble(mimicking nature as a river grinds stones to a smooth surface). Those who create the beautifully carved stones one sees in gift shops are practicing carving. And people like myself, who cut, shape and polish stones are….what? Cabochon Cutters? Nope. Just good old Lapidary. Not even Lapidarists. Though some DO allow this usage, I’m guessing Merriam (Webster, for you youngsters who use Google) would be wagging her index finger back and forth in the international symbol for “Ummm, no.”

Still wondering what a Lapidary is, and does? Here: take a look for yourself! To see more examples of stones, or cabochons as they are more properly called, take a look here to see examples which I’ve crafted.

The art of lapidary lies in an attempt to create a cabochon(in my case) that is as perfectly formed an polished as possible. That requires impeccable symmetry in the doming, a bezel (the sides of the cut stone) that is of uniform height the whole way around, and no – NO – scratches remaining from the process of grinding from a flat shape through doming process, to finished work.

Not all stones are created equally, and some are more equal than others. Most obvious is the hardness of a type of stone. We’ve all heard that diamonds are the hardest of all, but where does that leave every other mineral? A system called the Mohs Scale of Hardness was developed by Frederich Mohs in 1822 with a range of 1 to 10; with Talc(originally used in baby powder, later shown to be cancerous) as the softest, and – you guessed it – diamond being a 10 out of 10.

My preference in stones are Picture Jaspers, as well as some Agates, which happen to be in the mid range of the Mohs scale, between about 6 and 7. I’ve cut softer material, such as Sonoran Dendritic which can vary in hardness depending on the specific type of material. Theoretically, the hardness is 6, but the stone shown below practically melted away as I began shaping it. I would have said it was much softer.

What are cabochons used for, once the Lapidary(that cursed term again!) finishes with them? Mostly, they are placed into metal settings for use in jewelry or other adornments.Traditionally here in the US, people would learn some level of silversmithing to incorporate their collections of pretty rocks into decorative pieces which they’d either sell of gift to lucky friends and family.

However, in the second half of the 20th Century, imported goods, both material for lapidary work and finished cabochons began to gain in accessibility, and jewelry crafters began using these much less expensive stones for their creative projects.

On the plus side, the range of interesting stones allows for creative people to focus on their jewelry making, and allows them to offer their work at a lower price, since the labor involved in cutting the stones is much less in the 3rd world countries where this work is most often done.

Regarding negative points, buyers of finished work often don’t realize why a piece that includes a stone cut in the states costs more than something comparative using a stone from another country. To be fair, the difference between *most* stateside cabochons and commercially processed stones from overseas is pretty clear when one takes the time to examine the stone. But to the untrained eye, the focus often doesn’t make it past “oooh, pretty!” with regards to the stone.

Do you like eye candy, in the form of rocks(Rock Candy – hahaha)? Let me show you a few more examples of cabs I have cut in the last few months.

Succor Creek Jasper
Deschutes Jasper
Caldera Paint
Owyhee Jasper

Here are some pictures showing my cabochons once I’ve put them into a jewelry setting.

Blue Dream Jasper
Montana Agate

Leave a comment and tell me which ones are your favorites, and feel free to ask questions! I’ll do my best to answer if I can.

Semiprecious Gemstone Earrings for Spring 2021!

While I was up to being my nomadic self these last few months, I kept my eyes open for new components for earrings. I’ve seen an interest from people in this aspect of my Talisman Too shop on Etsy, and wanted to offer something new. I decided to focus on crafting a collection of semiprecious gemstone earrings.

Plus – who doesn’t like shopping in a bead store!

My focus was on natural semiprecious gemstones, and metal beads to add intrigue. I wasn’t disappointed. I found several pretty beads of Azurite, Red Creek Jasper, Kyanite and more. As well, I found some beautiful metal findings to use with these styles as well as with Czech Glass beads.

I set to work in my “studio”(the passenger seat of my van Ramses), and let my creative muse begin to do her dance.

Here are some of the earring designs I came up with. You can click on the pictures to be linked to the item in my shop. There, you’ll find more images and information.

Azurite Stone Bead Earrings  with Silver Accents
Azurite Beads, Silver Metal Accents
Lotus Flower Design Boho Jewelry
Lotus Embossed Drops with Czech Glass Beads
Gift Boxed Jewelry
Bronzite Earrings
Boho Earrings Czech Glass
Czech Glass Coin Shaped Earrings with Faux Tassel Bead
Kyanite Earrings with Filigree
Arabesque Beads with Kyanite Earrings
Red Creek Jasper Bead Earrings
Red Creek Jasper with Copper Accents

Keep in mind that, along with these and more new earring designs, I’ve crafted quite a few new pendants, all featuring cabochons which I’ve personally cut, shaped and polished. See the current pendants here. A few of our most recent creations on this blog post!

Why not leave a comment? Let me know which pair of earrings you like best!

Talisman Too News for Spring 2021

A year ago, the Covid-19 virus was barely on the radar for most of us. Even as the reality of what we were facing began to sink in, I don’t think most of us expected to be still living with the virus as a primary concern.

I’ve been fortunate to have fared well during this period. One thing in my favor is that I am a person who relishes solitude. Most of the things I like to do are best done alone, particularly when it comes to my small business. So, while I am definitely looking forward to things like going to a movie, gathering with friends for potluck dinners, visits with family members, I haven’t felt the terrible longing that so many have endured.

You may know that I travel cross country during the winter month; something I’ve done every year since 2010, save for the 2013/2014 season. One thing that HAS changed is my vehicle! Meet Ramses!

Ram Promaster in Desert with Saguarra

Last spring, my old van Penney, a1990 Ford E-150, got me back to New York – BARELY – and that’s not an understatement. I knew that was her last cross country ride, and began saving for a new vehicle in earnest. That’s another example of my faring better than many with this pandemic. I was able to put my first stimulus check completely aside for use as a down payment.

I had to take out a loan, and that was something I’d never done before. Looking back, it al went fine, but during the process, I was a nervous wreck. It’s a big difference, having a vehicle that I’ll be paying more than $300/month for the next five year, over a $1200 one paid for and done.

But, since it IS my home for five months a year, I’m getting off much easier than almost any other person who pays rent or has a mortgage. And, it’s been just a pleasure, to have a reliable vehicle that gets up and over the mountains without me rocking back and forth in the drivers seat in an uncontrollable urge to “help” on the steep! Plus – the room!!!!

The interior has not been finished yet. I ran out of time and cash before hitting the road in November, so I’m not going to show the interior. This summer, back in New York, I’ll be dedicating my efforts to getting Ramses in “Picture Perfect” shape. Or, perfect for me, anyway. An Instagram #VanLife Influencer, I’m not. But, if you WOULD like to follow my Instagram feed, you’ll see my day to day goings on, places I’ve traveled to,and insight into the creative process in my jewelry. Also doggy pics!, and how I personally deal with van living.

What I AM is an artisan jewelry maker! And if you recall, last spring I invested in machinery to cut and polish my own cabochons. When I got back to NY, the electricity which was hoped to go in over the winter, had not happened. But, because of Covid, my place of work was not open, and I took over the trailhead booth(which had solar power), and worked for tow months, nearly daily, on crafting cabochons.

Eventually, we reopened, and there went my studio. I was still hoping for electricity to come to my cabin, but it never did, and now it’s not looking likely, at least for a while. So, I went from mid-May until about a week ago, without firing up my machines.

I had plenty of stones to work with, and so was focused on jewelry-making. Here are a few of the pieces I created during that period, all with stones I cut myself. You’ll be able to click the images to get to the listing in my Etsy shop, so you can read about the piece if you’d like.

Caldera Paint Jasper Pendant
Tiffany STone Designer Cabochon Pendant

I’ve also been on an earring making microbinge. Here’s a link to the Earrings section of my shop, and I’ll be adding more as soon as I can photograph and edit images.

As of late February, I’m in Quartzsite, Arizona, mainly due to my ability to polug my lapidary equipment in and work. In a week or so, I will move on, and begin a slowed down journey toward my home in New York. I’ll be heading north toward either Sedona or…should I veer more westerly and head to souther Utah? I haven’t yet decided!

Designer Cabochons Available for Purchase

I never wrote a blog post about my purchase of a Diamond Pacific Genie several months ago, which surprises me. How could I have missed the opportunity?!

Montana Agate Designer Cobochon
Montana Agate

Since then I have cut several dozen cabochons, and the pleasure has been all mine. What a joy, to have my own machine, and my time not limited to one hour increments, as they are at the local rock and mineral club in Quartzsite, AZ.

My skills improved, and I am now offering a selection of my stones available for purchase within my shop on Etsy. My specialty is American-Mined Jaspers, though I do occasionally buy material which has been sourced elsewhere in the world. I am particular as to whom I buy from, and stay away from sources that aren’t confirmed as ethical mining operations. I’d rather not work with the *material of the year* if that means I might be supporting a business that uses slave labor or works their employees in unsafe conditions.

Owyhee Jasper Designer Cabochon Available at TlaismanToo.Etsy.com
Owyhee Jasper
Caldera Jasper

Most of my material is purchased from miners who have dug the rock directly from their own claims, or have purchased rock directly from such miners. Lucky for me, our American western states produce such gorgeous Jaspers like the ones above!

I am the sole lapidary artist for the cabochons I offer. I don’t outsource my cutting, and employ no assistants.

If you are a jewelry maker and are looking for artistically shaped and cut cabochons to use in your work, and also want to support ethical mining and processing of minerals, perhaps my stones will be of interest to you. View the available collection at my shop, Talisman Too.

Cabs, Cabs, Cabs!

Owyhee Jasper Cabochon

I got back to Quartzsite, AZ about two weeks ago and couldn’t wait to get back in the lapidary shop!

Even though I had enough material to work for this entire season(and probably enough for a few more after that!) when I headed back east last spring, that didn’t stop me from buying more.

Amethyst Sage Agate

During the spring and summer months, I bought a beautiful slab of Amethyst Sage Agate, a small slab of Blue Mountain Jasper, and even a little piece of fossilized dinosaur bone. Then, within days of arriving here in Quartzsite, I just had to wander over to the Desert Gardens Rock Showgrounds to see the early arrivals. I ended up picking up about $100 in rock from Jeff Hill of Silver Hill Lapidary, who always has mouth watering goods. So, let’s just say I was set to get busy.

One thing that came as a surprise, once I started cutting stones, was that the time I was “away from the wheels” had allowed me the ability to take a step back and be more aware, for lack of a better word, as I worked a stone. I found I was now more able to understand the process of how my efforts impacted the cabochon as I worked on it; how the importance of getting the shape right(and the scratches out!) while working with the 80 and 220 grit wheels makes the difference between an *okay* cab and a “pretty damned nice, if I say so myself” one(I have a way to go before I dare say I am turning out professional caliber cabochons, even though I DO see that I have paid for plenty of cabs of lower work quality that I am currently capable of).

Last year, I just didn’t get it, and my gawd, I would spend so.much.time. beating away on the 320 and 600 wheels on the Lortone machines at the Quartzsite Roadrunners lapidary shop. I am now going through all stages of shaping the cab(not including cutting preform on the trim saw) in less than an hour per cab. Pros will laugh, but this is a huge reduction in work time for me.

One interesting thing was that I DID join a rock club in New York this summer, and they had Diamond Pacific cab machines, which are generally regarded as the best available. Though I was only able to make a few cabs there(I became frustrated at the lack of available access to the shop and quit), the difference was immense. When I got to Quartzsite, there was a big surprise waiting for me…. they had gotten a Genie! Just one, but when I can get on it, I do, and the results have been such an improvement.

Now for the interesting part….I’m able to get *almost* the same level of quality out of the other machines that I considered so inferior last year. Though I DID end up taking the piece in the picture below to the Genie, I honestly was almost – not quite, but close – to this polish before doing so.

Wild Horse Jasper

That can only mean that, like a camera, it’s the user that defines the product. Having a great machine is nice, but if you don’t learn how to work it, the results won’t be any different than on lesser equipment. Nonetheless – I still want a Diamond Pacific Titan for myself back home…..

Along with my newfound clarity as a lapidarian(yes, it IS a real word, though I thought I was making it up when I wrote it). I had saved some money for materials. Let’s hope I still have some at my disposal once the rock shows here are in full swing, but along with that hundie to Jeff Hill, I stopped at a rock shop in Wisconsin on my way west.

I had purchased a set of templates online from The Gem Shop during the summer, and realized they had a brick and mortar store that was literally on.the.way. to my sister’s house. They have a basement, and large amount of outdoors space allotted to rough materials in so many types of rock, and it was nearly overwhelming. Luckily, as I was looking around trying to get some bearings on the massive inventory, my mind saw a bin labeled “Wild Horse Picture Jasper,” and that bin was like a magnet, drawing me in…. The piece above was cut from rough in that bin, as was the one below. I got one more cab from the slab, and that was just one slab from a fairly small rock. I still have two more cabs to come from the slab, although they won’t have the blue “sky,” and I think I have 3 or 4 more slabs. That means I’ll get at least 10 good cabs, and perhaps as many as 20, from the one rough rock. I’ll use them in pendants, and to be honest, I’ll make my money back in the first one sold. KaChing!

Wild Horse Jasper

Along with the Wild Horse Jasper, I got a small piece of Owyhee(the top image in this post came from that delicious little rock), and a small Ocean Jasper rock which this cabochon has come out of.

Ocean Jasper from Madagscar

Initially I felt disappointed, because I was expecting the more intense colors that I had seen from other lapidary folks, but once I finished this cab, and saw the pretty, almost pastel, colors, I wished I had bought more. I’m going to give them a call and see what they are bringing to the QIA Pow Wow, which is on in a few weeks, and hopefully can ask them to bring some….

I also bought a slab of Sonoran Dendritic Rhyolite, and so far have cut just the one cab shown below. The material is much softer than I expected. It’s gorgeous, but I wonder if I can do it justice. I didn’t get the polish that I have seen from others, and don’t know what I need to do to get it.

Sonoran Dendritic Rhyolite

As for jewelry making, that’s been off to a slower start since arriving here. I have one piece ready for antiquing, and am working on a gorgeous piece of Deschutes Japser that I cabbed out of material bought from Jeff Hill. He’s got more where this has come from – and I intend to get some!

Work in Progress – Wire Weaving with Deschutes Jasper cabochon

As you can see(er…read) I’m having a fantastic time, and should have a LOT of nice pendants to show for it as I use the cabs I am making. Remember I mentioned some Blue Mountain Jasper earlier? Well – here are two of the cabs cut from the slab and in the works – I hope to finish them on my next session on Friday, and then the tough part – which one to work into a pendant first???? I think the taller, thin one.

Blue Mountain Jasper

So – new things happening daily! The best way to stay up to date is via my Instagram, where I show my work as it progresses, and announce New To Shop available pieces. If you’re interested – follow me at Instagram.com/TalismanToo.